evangelical church Church with grounds
Evangelic church in the village Koceľovce in the Košice region is a Gothic building from the first half of the 14th century. It has preserved Gothic architecture and extensive continuous frescoes.
The church was founded probably in the first half of the 14th century and originally had St. Bartholomew's patrocinium. A single-boat building with a polygonal presbytery was extended, increased and closed at the end of the 14th century. Since the Reformation period it belongs to the Gospels, who built an emporium on the western and northern sides. In 1819 the ship was encircled by two fields of the Prussia arch and the southern atrium attached. At the beginning of the 20th century, the tower gained a secession metal helmet.
It is a single-nave church with a polygonally finished sanctuary, imagined western tower and sacristy in the northern position. The tower has a square ground plan on the ground floor, in the higher part is octagonal. Gothic windows with a circle were preserved in the presbytery. Three portals come from the Gothic period: the entrance, the sacristy and the underfloor. Forged doors to the sacristy date back to the 14th century, entrance doors to the church are from the beginning of the 16th century. The Sacristy is encircled by a walled vault and the Presbytery has a cross rib vault from the end of the 14th century. In the interior there is a baptistery from the 17th century, a wooden baroque altar from 1740 and a brick and wooden painted empora.
Part of the interior is fresco painting in the presbytery from 1360 to 1370, which is the author of the Master of the Ochtin Presbytery. The frescoes depict the Marian-Christological cycle. The Marian part includes the Preaching of the Virgin Mary, the Birth of Christ, the Visit of Mary at Elizabeth, the Trinity of the Three Kings, the Sacrifice in the Temple, the Twelve Years of Jesus in the Temple and the Coronation of the Virgin Mary. The Smuggling Cycle contains the coming of Jesus to Jerusalem, the Last Supper, the prayer in the garden of Gethsemane, the kiss of Judas, Christ before Herod and Caiaphas, the whipping, the crowning of thorns, the carrying of crosses, the crucifixion, the taking of the cross, and the saving to the grave. The picture of the Resurrection in the Presbytery is missing, but the symposium suggests further paintings in the ship. These paintings characterize linear drawing and live gestures of characters.
In 1736 fresco painting was bleached. Restaurant István The Count rediscovered it and restored it between 1896 and 1897. The last restoration survey was carried out in 1976. The church was declared a national cultural monument on May 6, 1963.
The area, registered by the Monument Office of the Slovak Republic under number ÚZPF 517, is located in the centre of the village and is surrounded by a wall. Apart from the church, the stone wall consists of a stone wall from the first half of the 14th century and unexplored church cemetery from the same period.
The services of God are held every Sunday at 11.00. The Parish office in Koceľovce should be contacted for a visit.
Tehdy a dnes
Drag the slider and compare how the monument might have looked when it was built with the view today.
Tehdy
Dnes
The historical view on the left is a visualisation generated by artificial intelligence and serves as inspiration.
Historical Milestones
- 1360 - 1370: complementing the interior with frescoes with the marian-christological cycle
- 1736: fresco pickling
- 1819: fundamental rebuilding, enclosing the ship by a spring vault and landing the southern atrium
- 1896 - 1897: fresco restaurant Istvánom Gróhom
- beginning of the 20th century: modification of tower and installation of art nouveau metal helmet
- 6 may 1963: proclamation of the church as a national cultural monument
- 1976: last restoration survey
Artistic features
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maľba figurálna — Apoštoli
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Nájdenie Ježiša v chráme
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Zvestovanie Panne Márii
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Orol,symbol sv.Jána Ev.
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Súbor stredovekých malieb
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Anjeli s hudobnými nástrojmi a kadidelnicami
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Ukrižovanie
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Svätica
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Vstup do Jeruzalema
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Katarína Alexandrijská
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Svätica
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Bičovanie Krista
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Snímanie z kríža
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Korunovanie Panny Márie
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Navštívenie Panny Márie
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Narodenie Krista
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Bartolomej
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Kristus pred Kaifášom
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Apoštol,sv.Pavol,sv.Peter,sv.Jakub St.
omietka, freska · gotika · 2.pol.14.st. -
svorník — Hlava Krista
kameň, tesanie · gotika · 2.pol.14.st. -
maľba figurálna — Prorok s anjelom,anjel
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Prorok s anjelom,anjel
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Posledná večera
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Ambróz s anjelom
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Hieronym s anjelom
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Gregor Veľký s anjelom
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Klaňanie troch kráľov
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Nesenie kríža
omietka, freska · gotika · 2.pol.14.st. -
maľba dekoratívna — Iluzívne kazetovanie
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Zajatie Krista
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Judášov bozk
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Svätec s nápisovou páskou
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Svätec s nápisovou páskou
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Peter odtína Malchusovi ucho
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Anjeli s nápisovou páskou
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Korunovanie Krista tŕním
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Lev,symbol sv.Mareka
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv.Augustín s anjelom
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Starozákonní proroci
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Kristus v Getsemanskej záhrade
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Prorok s anjelom,prorok
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Očisťovanie Panny Márie
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Anjeli s hudobnými nástrojmi a páskami
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Anjel,symbol sv.Matúša
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Býk,symbol sv.Lukáša
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — sv. Peter zapiera Krista
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Ukladanie do hrobu
omietka, freska · gotika · 2.pol.14.st. -
maľba figurálna — Apoštoli
omietka, freska · gotika · 2.pol.14.st.
Source: Monuments Board of the Slovak Republic — open data, licence CC BY 4.0
Heritage surveys
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2012/11 — Architektonicky-historícký výskum
Čiastkový pamiatkový výskum
Interesting facts
- It is a Gothic building from the first half of the 14th century, which originally had St.
Guide
Show guide text
The text was prepared by artificial intelligence and has not been editorially reviewed. It may contain inaccuracies.
We welcome you to the village Kocelovce, in the heart of the Košice region, where you are now facing a silent witness of ancient times. Take a look at this evangelical church with the surrounding area. The first thing that is likely to hit you here is the feeling of peace and myroscopic stability brought into the country by this historical structure. You are standing in front of a place that has shaped the identity of the region for hundreds of years and which conceals stories from a time when the world around it has taken a completely different rhythm. Feel the atmosphere of this place and let the voice of history guide you in the next minutes. When you look at the overall form of the building, you may wonder exactly when it was created. Although the exact names of architects or builders have erased time from the memory of written records, historical sources know us exactly to one epoch. It is a Gothic building, whose roots go back to the first half of the 14th century. Imagine, then, the world in which the church was formed. It was a time of deep religion, a time when Gothic with its specific lines and spiritual take-off began to control the European space. At that time, the building had a different mission and another confession because it originally had patrocinium of St. Bartholomew. It is fascinating to think of how many generations of people have passed through this door, how many prayers have been spoken here, and how the function of this space has changed along with the current of events, until it became the evangelical church you see today. Now I want you to take note of the details. Although the outside works in moderation, its real treasure is hidden in the interior, namely in the presbytery. If you have the opportunity to look at it, put your full attention to the walls. There is one of the most valuable artistic gems of the whole region. It's a fresco potion that dates from the thousand three hundred sixty to one thousand three hundred seventy. These paintings are the work of the legendary Master of the Ochtin Presbytery. This anonymous artist left a trail that is extraordinary in terms of artistic value. The frescoes depict the Marian-Christological cycle, which means that in the paintings we observe key moments from the life of the Virgin Mary and Jesus Christ. Watch the colors, compositions and emotions that Master put into these areas almost seven years ago. It is a direct visual dialogue with the XIVth century, which survived centuries and traveled to us. Let's move on to a detail that may be leaking at first sight, but it is extremely important for the overall authenticity of the area. Notice the forged door to the sacristy. These doors are a direct link to the craft tradition of the past. The blacksmithing in the Middle Ages was not only about functionality, but also about symbolism and precision. As you take a closer look at them, you will see the work that was intended to protect the most holy objects and premises of the church, while expressing respect for the place where the spiritual leader was preparing for the celebration. Interestingly, although we do not know exactly who the specific people who designed the church were, the result of their work speaks for them. The mystery remains the exact fate of many details that could have been changed or removed over the centuries, but what remains is valuable to the master. It is this combination of Gothic basic construction and unique frescoes from the period of top Gothic makes this place in Koceľovec an exceptional point on the map of Slovak cultural heritage. It's a place where architecture, faith and high art meet. Now that you've got an idea of what this church represents, I'll leave you in silence for a while. I recommend you go through the whole area, see the texture of the walls and look again at the details we talked about. Try to imagine what this space looked like at the time of its origin when the frescoes were new and the colors were bright. Let yourself be guided by your intuition and feel the peace that this Gothic temple radiates. Thank you for your attention and for taking the time to discover this historical treasure in Koceľovce. We hope that your visit to the Evangelical Church has enriched you and that you are leaving with a sense of respect for our common history. We wish you a pleasant continuation in your journey and a pleasant rapprochement with other monuments of this beautiful region. Goodbye.
Tips for visitors
We recommend a visit late in spring or autumn, when the temperatures and colors of the country around the village Kocelovce complement the atmosphere of the Evangelical church.
Take suitable clothes to the historical area. We recommend taking a layer of anti-cold clothing into the building, which is more common in sacral buildings. For photographers are the most suitable moments shortly before sundown, when light highlights the architecture of the church and details of the area.
There are no other monuments in the area, so it is recommended to explore the area itself and its historical context. Families with children can connect the visit with a walk around the village.
Frequently asked questions
Can the monument be visited?
Religious buildings are usually open mainly during services; at other times a visit is normally arranged with the parish or the operator. We have not verified specific times.
Where is the monument?
Location: Koceľovce, Košický kraj. The map on this page shows the exact spot.
Why is the monument protected?
It is listed in the Central List of the Monuments Fund of the Slovak Republic as a national cultural monument (ÚZPF no. 428-517).
For children
Close your eyes and imagine shooting down a time machine. You set it exactly 626 years ago and with a loud shake you will land in the village Kocelovce. There are no cars, no phones or asphalt roads around you. The air smells like fireplace smoke and fresh bread. You're standing in front of a building that looked completely different then than today's houses. It's an evangelical church that was formed at the time.
Nearby
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Thematic route
As there are no other sites in the area, I propose a thematic route within the area of the monument:
1. Evangelic church - The main building in which you can see the interior and altar. 2. Church area - Space around the building for rest. 3. Exterior and Courtyard - Area where you can see the facade of the building from different angles.
Seasonal recommendations
In spring, the area of the Evangelical church in Koceľovce will be surrounded by green vegetation. The sun at this time provides lighting suitable for photography the exterior of the building. It is recommended to wear shoes into wet grass and visit in the morning.
Summer months bring intense light and rich colors of the country of Košice region. Due to high temperatures it is advisable to avoid noon and choose the early morning or late evening time. Clothes made of light natural materials and sunscreen protection are practical.
Autumn around the building brings a change in the colors of the leaves. The golden light of October highlights the details of architecture. In planning, layered clothing should be considered due to fluctuating temperatures and humidity.
Winter in Koceľovce area plunges into silence and snow can change the appearance of the place. The atmosphere is peaceful in Advent time. Warm and waterproof clothing, including quality footwear, is essential to avoid slipping on frozen origin.
Visualisations and artistic views
The visualisations are generated by artificial intelligence and serve as inspiration.
Photographs from the area
Real photos taken near the monument
Source and licence are given for each image.
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Zdroje a literatura
The factual basis for this text was the article na Wikipedii, whose authors are Wikipedia contributors. The article is available under the licence CC BY-SA 4.0.
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